Trivia: Though perhaps best remembered for playing the suave, mysterious Mr. Roarke on the popular television series Fantasy Island (1978-1984), and for his car commercials in which he seductively exhorted the pleasures of the upholstery ("Rich, Corinthian leather") in his distinctive Spanish accent, Ricardo Montalban once played romantic leads in major features of the '40s and '50s. He also had a successful career on-stage. Born Ricardo Gonzalo Pedro Montalban y Merino in Mexico City, Montalban spent part of his youth in the U.S. The tall, dark, handsome, and curly haired actor first worked as a bit player on Broadway before returning to Mexico in the early '40s and launching a film career there. By 1947, he had returned to the States and signed with MGM. That year, Montalban played his first leading role opposite Cyd Charisse in the romantic musical Fiesta (1947). It would be the first of many roles in which he would play a passionate singing and dancing "Latin Lover." He and Charisse again teamed up as dancers in the Esther Williams musical water extravaganza in On an Island With You (1948). At one point, it was a toss-up between Montalban and fellow MGM "LL" Fernando Lamas as to which was more popular. It would not be until 1949 before Montalban had the opportunity to play a non-romantic role as a border agent who gets revenge upon the killers of his partner in Border Incident. His second serious role in Battleground (1949) ranks among his best performances. By the late '50s, he had become a character actor, often cast in ethnic roles, notably that of a genteel Japanese Kabuki actor in Sayonara (1957). He had occasionally appeared on television since the late '50s, but did not appear regularly until the mid-'70s. In 1976, Montalban earned an Emmy for his portrayal of a Sioux chief in the television miniseries How the West Was Won. In the early '70s he was part of a touring troupe that read dramatic excerpts from Shaw's Don Juan in Hell. In 1982, Montalban reprised a role he had made famous on the original Star Trek TV series as the ruthless Khan to star in the second Star Trek feature, The Wrath of Khan. In the '80s, Montalban only sporadically appeared in feature films. His television career also slowed, though he occasionally appeared on series such as The Colbys (1985-1987) and Heaven Help Us! (1994). Montalban has written an autobiography, Reflections: A Life in Two Worlds (1980). Confined to a wheelchair after a 1993 spinal operation left him paralyzed from the waist down, Montalban remiained in good health despite being in constant pain, and continued to play an active role in promoting Nostros - a non-profit organization founded by Montalban in 1970 and dedicated to improving the image of Latinos within the entertainment industry. In the late 1990s and early 2000s Moltalban's career recieved something of a second wind when he began performing vocal work on such animated television series' as Freakazoid!, Dora the Explorer, and Kim Possible, with a role as the kindly grandfather in Robert Rodriguez's Spy Kids 2: Island of Lost Dreams and Spy Kids 3-D: Game Over even giving the wheelchair-bound actor an opportunity to triumphantly rise once again thanks to the magic of special effects. Additional vocal work in the 2006 animated family adventure The Ant Bully continued to keep Montalban busy despite his physical limitations. His brother, Carlos Montalban, was also an actor.

Trivia: Christopher Hewett spent much of his four-decade acting career toiling in roles into which he could melt -- it was only when he found a part, near the end of his career, into which he could inject a large part of himself, that he became a star. Born in England in 1922, he was the son of a former actress, and at age seven made his stage debut, in Ireland, in a production of A Midsummer Night's Dream. He attended Wimbledon College and served in the Royal Air Force from 1938 until 1940. Hewett became an actor after his discharge, joining the Oxford Repertory Company, where he spent the next few years learning his craft in repertory work, eventually playing over 100 roles. In 1951, at the age of 29, he made his first screen appearance in Pool of London, and he was seen as a police detective later that same year in the classic Ealing comedy The Lavender Hill Mob. Hewett left England in 1954 and moved to New York, where he made his Broadway debut in the original cast of My Fair Lady two years later. He was primarily associated with New York theater for the next 20 years, apart from a notable screen appearance in Mel Brooks' The Producers, portraying Roger DeVries, the flamboyantly gay (and transvestite) director chosen by Max Bialystock (Zero Mostel) to direct his production of "Springtime for Hitler." Hewett dominated most of the scenes in which he appeared with his flamboyant, brilliantly comic performance, and his scenes included the side-splittingly funny audition of the various Hitlers, and the scene introducing Dick Shawn's character, L.S.D. The movie was a modest success on its original release, but has since become a major cult hit and something of a pop-culture phenomenon, partly owing to the immense success of Brooks' theatrical adaptation of the same story. Hewett was delightfully looney and very visible in the role, but it was such an outre screen credit, and the movie itself such a cult item in its first decade or so in release, that it led to little else in film or television for years after. Brooks subsequently used Hewett in The Elephant Man, and he started getting occasional television work, in series such as the original E.R. (1984), and as a regular on Fantasy Island (1983-1984) for one season. Hewett, by then in his sixties and somewhat overweight, had developed a persona that could be comical or villainous, yet always seemingly jovial. In 1985, he won the title role in the series Mr. Belvedere, loosely based on the film Sitting Pretty. As prissy, fastidious housekeeper/valet Lynn Belvedere, taking care of the family that had hired him, Hewett endeared himself to millions of viewers for four seasons, and was regularly covered in the television gossip columns, his ballooning weight at times eliciting public expressions of concern from his fellow cast members. He also worked in one-off appearances on Murder, She Wrote and other series. When the series finished its run in 1990, he had achieved television stardom and name recognition far beyond anything he had known -- modern viewers were often startled to realize, on seeing The Producers, that it was Hewett playing the director of the seemingly ill-starred play. He continued to make occasional television and movie appearances for the next decade. Hewett died from complications of diabetes at the age of 79.

Trivia: A striking beauty, famed for her long, slender and well-formed legs, dancer/actress Juliet Prowse was at the peak of her popularity as a film and television actress during the 1960s. After that, she made her name on stage and in Las Vegas. Born in Bombay, and raised in South Africa, she studied to be a dancer from the age of 4. Prowse was accepted for the Festival Ballet of Johannesburg at age 14, but at a height of 6 feet she was much too large for the rather strict requirements of the ballet world. A less prestigious but likely more lucrative engagement followed when Juliet signed on as a chorus dancer for the London Palladium. She went to dance at a Parisian nightclub, then toured Europe as a member of a modern dance troupe. Hollywood choreographer Hermes Pan spotted one of Prowse's performances and cast her as the Snake in the "Adam and Eve" number for the 1959 film musical Can Can. While visiting the set of this film, Soviet Premier Nikita Khrushchev took a long look at Juliet and denounced the production for its depravity. Whatever shortcoming Khrushchev might have had as a dance critic, as a press agent he was tops -- within weeks after his denunciation, Prowse was appearing on virtually every magazine cover in the U.S. As an added fillip to her newfound fame, Prowse fell in love with the star of Can Can, Frank Sinatra. Prowse next co-starred opposite Elvis Presley in G.I. Blues and before production finished, rumors flew that she and the King were romantically entangled. Still she and Sinatra announced their engagement in 1962. The marriage never took place, but the publicity value to Prowse was invaluable, resulting in a high-playing Las Vegas nightclub engagement. The show was panned by the papers (again for supposed bad taste) but still raked in a fortune. At the behest of her agent, Prowse next attempted to become the "new Lucille Ball" in the 1965 NBC sitcom Mona McCluskey. The premise: Prowse was a movie star who willingly lived on her military-officer husband's meager monthly wages. Despite the hype surrounding the show, Mona McCluskey was off the air in 13 weeks. As her first blush of notoriety faded, Juliet Prowse maintained her nightclub career with success, supplementing her income with innumerable TV commercial endorsements for cosmetics and panty hose - and experiencing a few heart-stopping moments when an 80-pound leopard mauled her during a rehearsal for a Circus of the Stars TV special in 1989. A real trooper, Prowse recovered enough to complete her part of the show. A few months later she was getting ready to make a promotional appearance with the leopard on The Tonight Show. Unfortunately, the big cat's temper had not significantly improved and it attacked her again just before they were to go on. From 1986 through the mid '90s, Prowse hosted the "Championship Ballroom Dance Competition" on PBS. Throughout her career she has earned several awards including the Professional Dancer's Society "Gypsy" award, a Best Actress of the Year from the London Evening Standard and the Las Vegas Performer of the Year award for a stage version of Sweet Charity. In 1994, Prowse was diagnosed with pancreatic cancer. She made her final public appearance in a 10-week summer run of Sugar Babies opposite Mickey Rooney in Las Vegas in 1995. Prowse passed away on September 14, 1996.

Trivia: Lead actress Stephanie Faracy first appeared onscreen in the late '70s.