Trivia: Actor Ted Knight dropped out of high school in order to enlist for World War II service. During the postwar years, Knight studied acting in Hartford, Connecticut. He became proficient with puppets and ventriloquism, which led to steady work as a TV kiddie-show host. Knight spent most of the 1950s and 1960s doing commercial voice-overs and essaying minor TV and movie roles (he was the nonspeaking cop who handed Norman Bates a robe at the end of Hitchcock's Psycho [1960]). Just barely making ends meet with TV guest spots and cartoon voices, Knight was rescued professionally in 1970 when he was cast in the role of vainglorious TV anchorman Ted Baxter on The Mary Tyler Moore Show. Three years into the series, Knight threatened to quit because of the one-note stupidity of his character. He was assuaged when the MTM producers "humanized" him with an understanding girlfriend (played by Georgia Engel) -- and it didn't hurt that the actor later won two Emmy awards for his portrayal of the clueless Ted Baxter. When MTM left the air in 1977, Knight attempted to headline a sitcom of his own. After a couple of false starts, he struck pay dirt in 1980 with Too Close for Comfort, playing a comic-strip artist with two nubile daughters. Too Close left the network for syndication in 1984, then matriculated into The Ted Knight Show in 1985. Though gravely ill, Ted Knight valiantly taped a years' worth of episodes before succumbing to cancer at the age of 62.

Trivia: Originally planned to be a schoolteacher. Spent two seasons with the New York City Opera Company, performing in such productions as Carmen and The Mikado. Performed as a soloist with the Chicago Symphony Orchestra. Made her Broadway debut in 1960 in Do Re Mi. Played Maria in the 1962 Broadway production of The Sound of Music. Was an original cohost of Good Morning America. For five years, she headed the Ray Bolger Endowment for Musical Performances at UCLA. Regularly performs as a cabaret singer.

Trivia: Lead actress, onscreen from the early '80s.

Trivia: Italian actor Cesare Danova came to prominence in such post-war European films as La Figlia del Capitano (1947) and Don Giovanni (1955), playing the title role in the latter film. In the American-made Man Who Understood Women (1959), Danova managed to be both funny and menacing as a murderous cuckolded husband. Few of his American films took full advantage of Danova's talents, tending to cast him as a "typical" hot-blooded Mediterranean, but there have been a few rewarding assignments along the way. As Appolodorus in the budget-busting Cleopatra (1963), Danova was one of the few actors whose part wasn't cut to nothing in order to favor the Elizabeth Taylor-Richard Burton combo. Danova was one of the stars of the TV pilot-cum-theatrical movie Chamber of Horrors (1966), and he enjoyed a season's worth of regular TV work as Actor (that was the character's name, not the designation) on the weekly Dirty Dozen rip-off Garrison's Gorillas (1967). In the '70s and '80s, Danova seemed to take turns with Anthony Quinn in portraying Onassis-like Greek tycoons and Mafia bosses; in the latter capacity Danova was hilarious as Carmine DePasto in National Lampoon's Animal House (1978). In the early years of the '80s, Danova could be seen as a regular on the ABC television daytime drama Ryan's Hope. Cesare Danova died suddenly during a 1992 meeting of the Motion Picture Academy's Foreign Film Committee.