Trivia: In the first ten years of his life, Raymond Burr moved from town to town with his mother, a single parent who supported her little family by playing the organ in movie houses and churches. An unusually large child, he was able to land odd jobs that would normally go to adults. He worked as a ranch hand, a traveling tinted-photograph salesman, a Forest service fire guard, and a property agent in China, where his mother had briefly resettled. At 19, he made the acquaintance of film director Anatole Litvak, who arranged for Burr to get a job at a Toronto summer-stock theater. This led to a stint with a touring English rep company; one of his co-workers, Annette Sutherland, became his first wife. After a brief stint as a nightclub singer in Paris, Burr studied at the Pasadena Playhouse and took adult education courses at Stanford, Columbia, and the University of Chunking. His first New York theatrical break was in the 1943 play Duke in Darkness. That same year, his wife Sutherland was killed in the same plane crash that took the life of actor Leslie Howard. Distraught after the death of his wife, Burr joined the Navy, served two years, then returned to America in the company of his four-year-old son, Michael Evan Burr (Michael would die of leukemia in 1953). Told by Hollywood agents that he was overweight for movies, the 340-pound Burr spent a torturous six months living on 750 calories per day. Emerging at a trim 210 pounds, he landed his first film role, an unbilled bit as Claudette Colbert's dancing partner in Without Reservations (1946). It was in San Quentin (1946), his next film, that Burr found his true metier, as a brooding villain. He spent the next ten years specializing in heavies, menacing everyone from the Marx Brothers (1949's Love Happy) to Clark Gable (1950's Key to the City) to Montgomery Clift (1951's A Place in the Sun) to Natalie Wood (1954's A Cry in the Night). His most celebrated assignments during this period included the role of melancholy wife murderer Lars Thorwald in Hitchcock's Rear Window (1954) and reporter Steve Martin in the English-language scenes of the Japanese monster rally Godzilla (1956), a characterization he'd repeat three decades later in Godzilla 1985. While he worked steadily on radio and television, Burr seemed a poor prospect for series stardom, especially after being rejected for the role of Matt Dillon on Gunsmoke on the grounds that his voice was too big. In 1957, he was tested for the role of district attorney Hamilton Burger in the upcoming TV series Perry Mason. Tired of playing unpleasant secondary roles, Burr agreed to read for Burger only if he was also given a shot at the leading character. Producer Gail Patrick Jackson, who'd been courting such big names as William Holden, Fred MacMurray, and Efrem Zimbalist Jr., agreed to humor Burr by permitting him to test for both Burger and Perry Mason. Upon viewing Burr's test for the latter role, Perry Mason creator Erle Stanley Gardner jumped up, pointed at the screen, and cried "That's him!" Burr was cast as Mason on the spot, remaining with the role until the series' cancellation in 1966 and winning three Emmies along the way. Though famous for his intense powers of concentration during working hours -- he didn't simply play Perry Mason, he immersed himself in the role -- Burr nonetheless found time to indulge in endless on-set practical jokes, many of these directed at his co-star and beloved friend, actress Barbara Hale. Less than a year after Mason's demise, Burr was back at work as the wheelchair-bound protagonist of the weekly detective series Ironside, which ran from 1967 to 1975. His later projects included the short-lived TVer Kingston Confidential (1976), a sparkling cameo in Airplane 2: The Sequel (1982), and 26 two-hour Perry Mason specials, lensed between 1986 and 1993. Burr was one of the most liked and highly respected men in Hollywood. Fiercely devoted to his friends and co-workers, Burr would threaten to walk off the set whenever one of his associates was treated in a less than chivalrous manner by the producers or the network. Burr also devoted innumerable hours to charitable and humanitarian works, including his personally financed one-man tours of Korean and Vietnamese army bases, his support of two dozen foster children, and his generous financial contributions to the population of the 4,000-acre Fiji island of Naitauba, which he partly owned. Despite his unbounded generosity and genuine love of people, Burr was an intensely private person. After his divorce from his second wife and the death from cancer of his third, Burr remained a bachelor from 1955 until his death. Stricken by kidney cancer late in 1992, he insisted upon maintaining his usual hectic pace, filming one last Mason TV movie and taking an extended trip to Europe. In his last weeks, Burr refused to see anyone but his closest friends, throwing "farewell" parties to keep their spirits up. Forty-eight hours after telling his longtime friend and business partner Robert Benevides, "If I lie down, I'll die," 76-year-old Raymond Burr did just that -- dying as he'd lived, on his own terms.

Trivia: American character actor Pat McVey had several seasons' worth of stage experience to his credit when he made his film bow in 1944. Though he seldom rose above the supporting player ranks onscreen, he had better luck on television. From 1950 to 1954 he starred as crusading newspaper editor Steve Wilson in the long-running TV series Big Town. Patrick McVey's later video assignments include the syndicated Western Boots and Saddles (1957) and the San Diego-based cop drama Manhunt (1959), in which he co-starred with Victor Jory.

Trivia: In films since 1949's White Heat, American actor Ford Rainey most often played judges, doctors and police officials. Rainey's weekly TV roles included small-town newspaper editor Lloyd Ramsey in Window on Main Street (1961), research director Dr. Barnett in Search (1972) James Barrett in The Manhunter (1974) and Jim in The Bionic Woman (1975). Undoubtedly his most rewarding TV-series assignment was The Richard Boone Show (1963), in which, as a member of Boone's "repertory company," he was allowed to essay a different role each week. When last we saw Ford Rainey, he was playing a big-time counterfeiter on Wiseguy (1987).

Trivia: Following his screen debut in 1949's Twelve O'Clock High, Richard Anderson was groomed for stardom at MGM. His stature in Hollywood seemed assured when he married the daughter of former MGM luminary Norma Shearer. But Anderson was -- by his own admission -- a less-than-noble figure in his younger days, losing both prestige and several plum film roles through his arrogance, his explosive temper, and his after-hours carousing. A kinder, mellower Richard Anderson resurfaced on television in the 1970s, gaining a modest but loyal fan following thanks to his weekly appearances as Oscar Goldman in The Six Million Dollar Man. Anderson also played Goldman on the spin-off series The Bionic Woman -- the result being that, for several years in the mid-1970s, he was simultaneously co-starring on two different TV series in the same role. Richard Anderson's additional TV-series stints included Mama Rosa (1950), Bus Stop (1961), Dan August (1970), Cover-Up (1984) and Dynasty (1986-87 season).

Trivia: According to her Rockford, Illinois, high-school yearbook, Barbara Hale hoped to make a career for herself as a commercial artist. Instead, she found herself posing for artists as a professional model. This led to a movie contract at RKO Radio, where she worked her way up from "B"s like The Falcon in Hollywood (1945) to such top-of-the-bill attractions as A Likely Story (1947) and The Boy With Green Hair (1949). She continued to enjoy star billing at Columbia, where among other films she essayed the title role in Lorna Doone (1952). Her popularity dipped a bit in the mid-1950s, but she regained her following in the Emmy-winning role of super-efficient legal secretary Della Street on the Perry Mason TV series. She played Della on a weekly basis from 1957 through 1966, and later appeared in the irregularly scheduled Perry Mason two-hour TV movies of the 1980s and 1990s. The widow of movie leading man Bill Williams, Barbara Hale was the mother of actor/director William Katt. Hale died in 2017, at age 94.

Trivia: The son of legendary Broadway actor DeWolfe Hopper and movie actress Hedda Hopper, William Hopper made his film debut as an infant in one of his father's films. The popular consensus is that the younger Hopper was given his first talking-picture break because of his mother's reputation as the most feared of the Hollywood gossips. Not so: Hopper was signed to his first Warner Bros. contract in 1937, a year or so before Hedda had established herself as the queen of the dirt-dishers. At first billing himself as DeWolfe Hopper Jr., Hopper languished in bit parts and walk-ons for several years. He wasn't able to graduate to better roles until the 1950s, by which time he was calling himself William Hopper. After a largely undistinguished film career (notable exceptions to his usual humdrum assignments were his roles in 20 Million Miles to Earth [1957] and The Bad Seed [1956]) Hopper finally gained fame -- and on his own merits -- as private detective Paul Drake on the enormously popular Perry Mason television series, which began its eight-season run in 1957. In a bizarre coincidence, Perry Mason left the air in 1966, the same year that William Hopper's mother Hedda passed away.

Trivia: American general purpose actor Arthur Space was active in films from 1940. Tall, tweedy, and usually sporting a mustache, Space played just about every kind of supporting role, from Western banker to big-city detective to jewel thief. One of his largest film roles was as the delightfully eccentric inventor Alva P. Hartley in the 1944 Laurel and Hardy vehicle The Big Noise. As busy on television as in films, Arthur Space was seen on a weekly basis as Herbert Brown, the father of horse-loving teenager Velvet Brown, in the TV series National Velvet (1960-1961).

Trivia: African-American actor Joel Fluellen was a respected stage performer in both all-black and integrated productions throughout the '40s. He was tentative about entering films due to the limited range of roles available for actors of his race. Certainly Fluellen had nothing to be ashamed of in such assignments as the title character's brother in The Jackie Robinson Story (1950), but such parts were the exception rather than the rule. For the most part Fluellen found himself cast as noble natives in jungle-oriented films and TV programs, with the occasional worthwhile roles in films like Friendly Persuasion (1956). Not one to hide his opinions, especially in the '40s when non-white performers were expected to keep quiet and accept whatever was given them, Fluellen lobbied loud and long for better parts and working conditions for his fellow African-American performers, and was gratified to see the picture improving in the early '70s. Still, his own roles ranged from adequate to tiny, though he invariably made an indelible impression in such black-oriented films as A Raisin in the Sun (1962), The Learning Tree (1969) and The Bingo Long Travelling All-Stars and Motor Kings (1975). After a long illness, Joel Fluellen died at age 81, of an apparently self-inflicted gunshot wound.

Trivia: American actor Stewart Moss played supporting roles on television, stage, and feature films of the late '60s through the early '80s. He also writes teleplays for both cable and network television and directs stage productions in Los Angeles.

Trivia: A professional actor since childhood, Philadelphia-born William Tracy came to Hollywood in his Broadway role as a military school "plebe" in Brother Rat (1938). Kept briefly under contract to Warner Bros, Tracy went on to play Pat O'Brien as a boy in the classic gangster saga Angels with Dirty Faces. The cherub-faced actor then went on to Hal Roach Studios, where he costarred in several "streamliners" (45 minute films, designed for double-feature bills) with Joe Sawyer. In such slick little comedies as Tanks a Million (1941), About Face (1941) and Yanks Ahoy (1942), Tracy played a rookie serviceman with a photographic memory, while Sawyer played his tough topkick. An attempt to recreate the team in 1951 with a pair of Lippert Studios quickies, As You Were! and Mister Walkie Talkie, sank without a trace. Tracy's other big-screen role of note was as Terry Lee in the serialized movie version of Milton Caniff's comic strip Terry and the Pirates (1940). William Tracy spent the remainder of his career in the '50s and '60s in small movie and TV supporting parts, save for a worthwhile costarring stint with John Russell in the popular 1955 syndicated TV adventure show Soldiers of Fortune.

Trivia: Like Dick Wilson (Mr. Whipple) and Jan Miner (Madge), actor House Peters, Jr. attained most widespread recognition via his iconic role in American television commercials, plugging a domestic product -- in his case, Procter & Gamble's "Mr. Clean" line of household cleaners. Peters set himself apart from the pack, however, for actually playing the brand's nominal character, replete with his barrel chest, bald pate (courtesy of a latex cap and makeup), and trademark gold earring. The New Rochelle, NY, native also built up a fairly substantial litany of dramatic roles alongside his promotional work. After growing up in Beverly Hills, CA, Peters signed for roles in such projects as the television series Flash Gordon and the features Public Cowboy No. 1 and Hot Tip. After a brief service in the Army Air Corps during World War II, he hearkened back to Los Angeles, commenced occasional stage work, and resumed work in features, specializing in supporting roles in dozens of westerns such as Oklahoma Badlands (1948) and Cow Town (1950). Small portrayals in the Hollywood classics The Day the Earth Stood Still (1951) and Rebel Without a Cause (1955) represented a significant step up for Peters in terms of profile and recognition, though he continued to be most commonly associated with Mr. Clean, an assignment held from the late '50s into the early '60s. As the years rolled on, Peters did additional television work via guest spots on shows including The Twilight Zone and Perry Mason, then retired in the late '60s and spent the next four decades off-camera. Peters died of pneumonia in 2008, at the age of 92.

Trivia: American character actor Lou Krugman appeared in a few feature films from the late '50s through the early '60s including I Want to Live! (1958) but may be best known for his work on radio. He is said to have appeared on over 10,000 broadcasts and did over 700 voiceovers for television commercials.

Trivia: Actress Ann Ayars launched her career as a singer in the 1930s. She started acting in the early '40s, and made her film debut in Dr. Kildare's Victory (1941). She appeared regularly in features through 1943, then left Hollywood to become the New York City Opera's leading lyric soprano. In 1951, Ayars played Antonia in the film version of The Tales of Hoffmann.